- You set it by ear. Our ears are not perfect and neither are our perceptions. Mostly what we know is relative. We may have chose to set the subwoofer to a certain level only because its what we are used to. Maybe we guessed. Its probably too loud. We cannot match calibrated microphones or electronic software.
- You set the crossover to to match the factory specs on your speakers. In the real world you probably don’t get the promised bass extension. Smaller woofers just don’t produce the levels you need in your room or listening position. You must set the crossover correctly and not by the factory specs.
- Audible distortion. Maybe you are pushing your subwoofer too loud and its clipping during those movie explosions. But it could be your room. Check your levels again. Use subwoofer protection in your receiver if it has it.
- You hear a drop out during the THX DVD crossover test. Set your crossover higher and do the test again. Repeat till its perfect. If you have a major loss of bass its probably not set up right and it isn’t your room.
- Bass is indistinct or feels floaty. Check your phase switch. Most likely + is the correct setting if your subwoofer is near the front of the room. Make sure all your cabling is set correctly too to avoid phasing.
- You aren’t happy with its sound. Try putting it in a different place in the room.
Hosa sells shitty cables that pollute the earth. A low-end cable should be able to function for years. The Hosa I bought can’t meet this requirement. Their cables sound scratchy even when they look brand new. Hosa cable sucks. They should stop selling cheap products in the USA.
New: Pay any amount you think is appropriate for all sample products in the web store. Just click on “BUY” in the navigation tab to enter the web store. Use the donate buttons and you will be taken to paypal where you can enter any dollar amount.
If you give a hipster a synth they’ll ask for a glass of milk.
This release is of various artists of artists who deal solely in FM synthesis. Completely amazing compositions. Free Download.
Mail Order Monsters is a group from Michigan that uses many synth-controlled SID chips live.
-Compatible with Roland’s JUNO-Di, JUNO-Gi, JUPITER-80, JUPITER-50, Lucina AX-09, BK-5/BK-5 OR. V-Drums Sound Modules (TD-30, TD-15, TD-11) and V-Accordion FR-1x
What is it? A USB adaptor for many current models of instrument that lets you record wirelessly to the iPhone. Only “Air Recorder” and “V-drums Friend” is supported for now, but thats still pretty cool and hopefully continued support for this kind of thing happens and is available in more apps.
Jupiter-50 is the nail in the coffin for almost all current Korg fans. With its screen looking like the same as a Juno GI, Roland has learned to create an affordable and reliable platform to present sounds that surpass anything Korg has ever had to offer. Korg’s Kronos line is based on an out of date machine, the old OASYS with technology from 7 years ago. Korg has absolutely nothing to compete with the Jupiter-50. Recent reliability issues and questions about its build quality have cropped up for Korg. The price of its premium piano, the SV1 has dropped again today for the same reasons: a bad reputation. Roland is taking lessons from its Juno hardware to create the Jupiter-50 in what should be a solid keyboard with the cutting edge of technology. If you wanted a cheaper version of the Jupiter-80, or a portable version of the Supernatural Piano here it is. Hopefully it isn’t Jupiter-expensive, negating the benefit to the user. It should be released in late spring.
Newer Roland synthesizers are perfect for formulating “modern” bass sounds. The super saw, FM modulation, Filter LFO, Lo-fi processor, and sideband filters on the V-synths, Jupiter-80?, Gaias allow for the hard insectile sound found in drum n bass, and dub.
Here are some settings to try:
2 Super saws. 2nd is detuned- and one an octave lower. Pitch envelope optional ->
FM Modulation ON->
-12db Filter with slow LFO, sync, and fade in. triangle shape.
Lo-fi Processor Filter->
->Analog Chorus Master Effect.
You can substitute Sideband filter for the lo-fi processor and you start getting “transformers” type sounds, and it will also take some of the top end off.
Enjoy & Experiment.
I made a windows XP theme for photo editing that uses mostly 50% gray as not to colour your eyesight when editing. It could also be an efficient theme for mixing. Text size has been bumped up for high resolution monitors. Download Here
If you are on an LCD monitor (most are) download the ClearType Tuning control panel for windows xp. It anti-aliases fonts for readability.
What is your favorite manufacturer?
Captain Picard never put his data pad in a dock. It is not something he’d travel with. In a fictional world filled with data pad docks, he’d have to make sure the ships he was traveling to had docks compliant with his data pad. Picard would be switching iPad adapters, trying find the right one that transfers “the virus” while the Borg take over. This would be unacceptable. Thankfully all the functions of the data pad were wireless. He was able to save the day. Musical connections should be wireless & digital too. Leave the interfaces, docks, and wires out of the future. They don’t fit in a bag and nobody wants to carry them around.
If you are thinking, but hey, how am I supposed to connect a microphone or other instrument? Ask yourself this: If it was were truly worth using in conjunction with a portable device, wouldn’t it already have its own wireless connections built in? Leave the docks and wires out of it. They are nonstandard, not portable, and add an extra cost for the user.
Most of my videos have been switched from Youtube to Vimeo.
That means you may have trouble with my RSS feed, which previously used Feedburner & Google. I no longer use any Google products. I don’t like their companies any more for many reasons. All youtube embeds will be gone. Not every video will be back on Vimeo
Vimeo is easier for me to use. The uploads seem faster. The descriptions are easy to edit. Load times are good. I don’t have to deal with the spam either. At the moment I don’t use any google products whatsoever. With my youtube & google account gone I don’t have to worry deal with their crap. It is my data after all and it should show up where I like.
Updated RSS FEED: feed://www.chipcollection.com/feed/rss/ Try that link or http://www.chipcollection.com/rss
Later this year I may make a new radio stream for this site, and also change webservers to my own hosting, but I’m not sure yet.
Analog Monophonic Synthesizer
This site will be joining the internet blackout Jan 18th to protest internet censorship and government control. The site will be “offline” with a redirected homepage. Also, the site will be moving from evil Godaddy hosting, as soon as convenient. There has been no problem with our host, but they clearly lack leadership and responsibility. In the meantime the “censorship” bar will be displayed, which links to an anti-censorship resource.
The fact I have to do this is kind of annoying, but I had no idea that government would try to turn our the internet into the plot from Metal Gear Solid 2. I’d hope international people would also protest.
Roland Juno 60 – Moog Prodigy – Nordlead G2 by Armedsynth
So far we have small korg-like mod wheels, a cryptic model name, and maybe some step faders/switches?
Keys look on the small side. http://www.casiomusicgear.com/
Unless we find it does something new sound-wise, I’m not looking forward to it yet.
Available in the webstore is a bank of new V-Synth Patches. 180+ of them! Previous soundbanks are included but have been carefully remastered and retouched! These are versions that have not been released anywhere.
A total of 188 patches! 19MB.
Moog Little Phatty Recreation patches
Orchestral Bank (Violins, Viola, French Horn, Tuba etc.)
Amp & Distortion for Guitars/outboard gear.
All remastered and rechecked with new FX setups.
Arpeggiations, Melodic Rhythms, and MORE.
I hope you like them!
Here is a quick tutorial on how to make a sound similar to the “Sexy Bitch” dance lead. It uses harmonic 7ths which are also used in the classic Korg M1 organ sound. Make note of the sub oscillator.
OSC1: Juno Saw (or regular saw)
Coarse Pitch: 0
Sub Oscillator: -1 octave, level 127
Coarse Pitch: +19 (this is a whole octave and a 7th above)
Sub Oscillator: OFF
FX: Limiter 4:1 ratio, hard attack, high threshold
Guitar Amp Lead Distortion, Bass Guitar Speaker.
Reverb: Light reverb or chorus if desired.
This is only part of the sound. You could use noise in the attack if you have a third oscillator. You could also use another sub bass harmonic to be more like the original dance lead.
You can use this formula and play with it some more to get the sound you want. The reason this works in the mix is because the pitch difference of OSC1 and OSC2 allows space for other instruments or vocals in between.
A new track I made with Roland V-Synth, Sylenth, and Purity. Downloads enabled.
After listening to the Jupiter-80 again I have to say I’m very impressed. One issue keeping people from liking it is the lack of sampling. I think Roland’s reasoning is that the Supernatural sounds take place of any multisampling or single shots of everyday instruments. They went to a lot of trouble to program these sounds in a way that is not static like a sample, but flowing and dynamic. Also, If you are making your own sounds from complete scratch with all layers this machine is capable of, its going to be ridiculous to get into single shot or multi samples. I’m sure the idea is to build off what they have already provided for you. Compared to something like the V-synth GT or V-synth factory presets I think they’ve got better presets on the Jupiter-80. After listening to more demos, I think they have given you more than enough to start tweaking useful sounds.
One other thing to note was the possibility of layering an arpeggiator with other sounds. You can play a pad with a chord and automatically have a different arpeggiator cycling in the “background”. I’m not sure what other roland equipment does this, but its very powerful. It sounds like you are playing an entire song with a few keys. The amount of layering on the Jupiter-80 can save a lot of time and sound very good.
The other problem Roland has on their hands is all the comments from analog purists. Jupiter-80 obviously is digital and getting a lot hate because it isn’t like the Jupiter-8. It is still meant to be their top of the line keyboard. This is probably the most advanced keyboard they’ve ever made, lacking sequencer. From one perspective, the Jupiter-80 can sound much better than what the Jupiter-8 does. If you want your music to stay in the past, get something thats been available for 30 years. If you want to go to the future get the Jupiter-80.
Things I like on Jupiter-80:
- Layered Sounds + Arpeggiator.
- Super Natural Sounds & rom take place of sampling (save time)
- Color Scheme
- Sheer Power
Jupiter-80 in french (skip to the end-ish)
This might be fun for making patterns if the price is low. It looks to have the same ribbon controller as monotron. Thats very disappointing if you need a keyboard. There is no midi or usb so it does not fit in with other Korg gear. It looks to have a sequencer so I’m thinking standalone pattern use only.
Well it looks to be exactly like I predicted; A compliment to the V-synth (pianos/orchestral synth) and lacking features so it doesn’t tread on Fantom G sales. (no sequencing & sampling).
Roland has hinted at an “upgrade” from the original Jupiter-8. I suspect its not a new product line and I am guesing that it will not compete against the Fantom G. It will likely be:
-Multitimbral Synth Engine (high powered V-synth)
-Auto-tune & Vocoder builtin.
-Substantial Pianos / Orchestral sounds builtin or something with a sample set like what AX-synth has.
-Built for live performance, with multi d-beam, and touch pad matrix, and knobs.
It is obvious Roland needed a product that is more oriented to synthesizer music with extra features for a long time, kind of like a V-synth that goes beyond the scope of its purpose. I’m sure it will also be missing something obvious so that it doesn’t retread on another product that is currently in existence, like the Fantom G or V-synth GT. They wouldn’t cannibalize those products again, because the new Junos already do that. They also would not kill the V-synth line by including all of its features, so it is likely not to have the same structure.
we will find out soon….
Korg Kronos found on Hipasonic.com
What is it? A premium piano, electric piano, tonewheel organ, MS-20, Korg PolySix, AL-1 Analog Synth, Waveshaping, Plucked String, and HD-1 High Definition synthesizer.
AND a sequencer!!!
This is definitely a M30 replacement/companion. It comes in 61, 76, and 88 keys. I want to hear this mafucka!
Might have to wait till tomarrow or friday. It might be expensive, but very quiet. It contains a Solid State Drive (SSD)
Sell your V-synth GTs, looks like another synth is coming.
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